查看完整版本 : D. SCARLATTI - Keyboard Sonatas Vol. 10 (Colleen Lee 李嘉齡)

bravo998 2010-6-5 04:03 PM

D. SCARLATTI - Keyboard Sonatas Vol. 10 (Colleen Lee 李嘉齡)

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[b]Domenico Scarlatti[/b]
[size=3]Complete Keyboard Sonatas, vol. 10[/size]

Colleen Lee 李嘉齡, piano


       


Track List:
1. Keyboard Sonata in D major, K.29/L.461/P.85 00:02:44
2. Keyboard Sonata in D minor, K.18/L.416/P.74 00:03:35
3. Keyboard Sonata in D major, K.23/L.411/P.79 00:05:13
4. Keyboard Sonata in D minor, K.41/P.37 00:06:01
5. Keyboard Sonata in D major, K.53/L.261/P.161 00:03:16
6. Keyboard Sonata in D major, K.45/L.265/P.230 00:03:40
7. Keyboard Sonata in A major, K.74/L.94/P.35 00:01:30
8. Keyboard Sonata in E minor K.81/L.271/P.13 00:08:17
9. Keyboard Sonata in D minor, K.90/L.106/P.9 00:11:13
10. Keyboard Sonata in C major, K.95/L.358 00:01:38
11. Keyboard Sonata in E major, K.134/L.221/P.143 00:04:04
12. Keyboard Sonata in E major, K.136/L.377/P.113 00:04:07
13. Keyboard Sonata in B minor, K.408/L.346/P.350 00:04:10
14. Keyboard Sonata in F minor, K.555/L.477/P.559 00:03:58
               
Total Playing Time: 01:03:26




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[url=http://www.mediafire.com/?m2dxlmzr3rv]Part 1[/url]
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bravo998 2010-6-5 04:05 PM

Notes & Reviews

Scarlatti's keyboard demands allow not an inch for uneven phrasing, imbalanced textures, or vagaries; as such his music ideally suits Colleen Lee's well-groomed pianism. Just listen to her impeccably aligned trills and repeated notes…she never makes an ugly sound, and her piano is beautifully recorded. Keith Anderson's splendid annotations provide welcome historical context for each work.
[i]Jed Distler[/i]
[i]ClassicsToday.com, September 2008[/i]




Some pianists in this series - which is devoted to performances on the piano - have played everything staccato and have kept feet away from the pedals in an effort to imitate the sound of a harpsichord. The young Hong Kong pianist, Colleen Lee, has the integrity to play as if they were intended for a concert grand, her credentials as a finalist in the 2005 Frederick Chopin Piano Competition shown in the agility and clean-cut quality of her playing. Regular readers will know of my complete aversion to Scarlatti played on a modern piano, however well intended the soloist is, the result alien to the sound the composer intended. Rather like using a modern theatre organ to play Bach. Had the recording engineer dried out the sound for Lee, this would be about as good as you can get on a piano. She has been given a programme that contains a nice mixture of the short one-movement sonatas which Scarlatti would have used as basic teaching exercises, to the E minor (K81) and D minor (K90) sonatas cast in four movements and somewhat more demanding. If you want to sample Lee try track 3 (K23) where she shows a nice originality in the way she uses the repeated note to good effect. I also enjoyed the understated gravity of the D minor sonata (K41) which works well on the piano and may have been intended for use on the organ, while the tightness of her trills is estimable. So if you ignore my prejudice, you will enjoy some very pleasing playing from Lee.
[i]David Denton[/i]
[i]David's Review Corner, August 2008[/i]




Contracting different artists to complete this huge project is a wise move: collectors thus have a variety of styles and sounds (some even play harpsichords, for which this music was intended!) Colleen Lee is a powerful player. It reminds me of a comment a critic made to me once, when we issued a recording of sonatinas—lightweight stuff to be sure—performed by a great European concert pianist (Marie-Aimee Varro): This is like putting a Cadillac engine in a Morris Minor.
[i]Giv Cornfield[/i]
[i]The New Recordings, Cliffs Classics, August 2008[/i]





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